The Chainsmokers (feat. ROZES)-“Roses” Review: Why?

“Roses” is no different than any other EDM club jam, except in one major way; somehow, it reached No. 20 on the Billboard Hot 100 charts. This is not where this song belongs, in any way. This is purely dance music, with no other possible way to enjoy this atrocity. How this ended up as an actual hit song blows my mind.

I’ll admit to coming into this review with a fair amount of bias. I’ve never been a fan of EDM, as I feel it is a soulless genre, filled with people who have mastered the technical art of music but never had the true passion for it. The Chainsmokers don’t even have that going for them, though, as you’d know if you ever heard their previous “viral” hit, “#Selfie,” an abysmal waste of time equal to forcefully running a cheese grater over your ears for four minutes.

My problems with “Roses” are different from the problems I had with “#Selfie,” though. For one, this song doesn’t seem to be sending me subliminal messages to kill myself. “Roses” is far too bland for that, with a drum beat that hasn’t been fresh since the 60’s dominating the brunt of the song. The lyrics to the song are at least sung, as well, and not a disgusting cash in on a trend of the times.

No, the biggest problem with this song is the synthesizer breakdown. It bleats out in stagnant notes so forceful it would vibrate even the best speakers at medium volume levels. It happens more than once across the song, as well, seeming to be the main reason for the song’s existence. The synthesizer just drones on like that for something around thirty seconds at a time, and it just baffles me. No human ear could ever find that song pleasing.

Past that, a trend common in EDM is to take a bite of the vocalist’s performance, just a single note, and use it like a chord, repeated ad infinitum across the song. It does nothing but remind me that ROZES could actually be singing something more, had you left enough room for her to do so. The “ah ah-ah-ah-ah-ah ah ah-ah ah-ah-ah-ah-ah” noise is not fun or interesting.

ROZES is actually a good presence on the song. She has a nice, willowy voice that I would love to hear more of. She does slur about half of the two verses she was given, making it practically unintelligible, but she’s probably the best-sounding instrument on the song, so I can forgive that. In fact, the song probably rose so high on her strength alone.

Unfortunately, this doesn’t change the fact that this is an EDM song, meaning you should be able to dance to it. This is not a fun, danceable song. “Roses” is one of the stiffest, saddest, most joyless songs I’ve heard in a while. It is a slow trudge through murky swampwater, only the swamp doesn’t even have any alligators to run from. This song has no business being in a club or on the radio, and it definitely has no worth on the pop charts. Avoid this song like the plague, but maybe check out ROZES. That’s what I’m going to do.

 

 

 

 

Also, did they seriously name the song after the guest artist? Who does that?

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Author: Wombat Lord

I am a not-so-great writer of video game nonsense and, hopefully in the near future, fictional fantasy stories that are heavily derivative and not really nothing you haven't read before. Sometimes I write about music, too, though that ends up looking even worse than the other stuff.

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